Christina Pluhar, une âme italienne.

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Christina Pluhar L'Arpeggiata Ciaconna, Rossi. 17ème. Extrait sans introduction orale. Véronique Gens, soprano. Christina Pluhar, théorbe, harpe baroque. Eero Palviainen, guitare baroque, archiluth. Veronika Skuplik, violon baroque. Mira Glodeanu, violon baroque. Bruno Cocset, violoncelle. Chitarra Battente, guitare baroque. Marcello Vitale. Paulina van Laarhoven lirone, viole. Mieneke van den Velden, viole. Christine Plubeau, viole. Richard Myron, contrebasse. Elisabeth Seitz, psaltérion. Elisabeth Geiger, orgue, clavecin. Haru Kitamika, orgue. Michèle Claude, percussion.

Channel: Music
Uploaded: May 9, 2007 at 11:00 am
Author: Nearness

Length: 0:03:29
Rating: 4.86
Views: 31,742

Tags: Christina Pluhar Musique Baroque Passacaglia Arpeggiata Folk 17eme XVII Italienne Italia

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Video Comments:
laianemesis (Monday 11th of August 2008 02:16:35 AM)
Extraordinary!
and89anto (Wednesday 30th of July 2008 06:36:58 AM)
J'aime beaucoup quand la théorbe donne le gros coup de bourdon =)
midnightblue80 (Tuesday 17th of June 2008 08:55:48 PM)
I am curious what you have against this group so much? What is it about the continuo that bothers you?
miguelruizmolano (Sunday 15th of June 2008 08:17:33 AM)
la calidad de la interpretación y la seriedad de sus músicos, hacen que la L'Arpeggiata se convierta en uno de mis grupos favoritos.
grantco131313 (Saturday 7th of June 2008 08:29:11 PM)
The true question being however whether Harvard and Oxford actually tried any OTHER nationalities of the baroque....
GoldenAwakening (Thursday 5th of June 2008 09:10:56 PM)
The truth is, there is no way classical music could survive in the centuries to come without these "cross-over nonsense" to attract new followers. I'm one of those people, and I proudly say I'm in love with classical. I agree with you that crossovers have less "value" artistically, but they are necessary. I think we should be GLAD there's more genuine groups like l'arpeggiata who sticks to traditional instruments. Can you imagine if all we have is Lara St. John's Re: Bach nonsense?
433138 (Friday 6th of June 2008 06:48:49 AM)
I am convinced that this music carries enough spark to appeal to people without any unnecessary additions. What gets me is that fact that such groups sell themselves as experts in early music (they may well be experts in folk music!). E.g., why on earth is CP allowed to teach trusting students at one of the world's foremost institutions for early music? Talk about the blind leading the blind ...
philiplawton (Friday 30th of May 2008 01:26:07 PM)
I'm pretty sure the composer is actually a chap called Bertali. At least, that's to whom it's ascribed in RRMBE 82.
433138 (Friday 6th of June 2008 06:41:35 AM)
No, it is not. The work you are referreing to is a very extended ciacona for solo violin and bass, which exists in two different versions, its main characteristic being the modulating ostinato bass. Antonio Bertali also wrote a ciacona for two violins, fagotto, and bass (this is not it!).
philiplawton (Friday 6th of June 2008 06:53:04 AM)
Oh well. It sounded terribly similar. My mistake.